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As a whole the record is steeped in Ward’s gravelly vocal warmth; the type of voice one would expect to find on dusty vinyl, waltzing through the likes of piano ballad ‘Crawl After You’ and oozing just as easily through the dozen gorgeously catchy ’40s-through-to-’60s inspired pop numbers. Single ‘The First Time I Ran Away’ is all muffled drums and quiet acoustic guitar, as strings and pedal steel lace the hushed whisper of the vivid visions of warriors and catching tigers by the tail, while Deschanel’s coy calls on doo-wop number ‘Sweetheart’ expose another side of the pop songbook that Ward so effortlessless manages to stylise. ’Me & My Shadow’ escalates from its strummed guitar opening, bursting into a dark bluesy thrashing of drums, sneering echoed vocals, screeching electrics and the buzz of feedback. And, while numbers like this are perhaps fewer in quantity than we might like, to serve as a reminder of just how deft he is at this extroversion of sound as well as the less-is-more croon and charm of his one man and guitar set up , with burrowing earworm delights such as clapalong singalongs ‘Primative Girl’ it’s nevertheless nearly impossible to not fall under the spell of his calmingly sedantary spin on retro pop.
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