The ten best records from the early 2000s Swedish underground
Setting the scene of Modern Woman
Lip Critic return with certainty on Theft World
Sofia Isella is tearing up the playbook to surrender control to the forces that write through her – and finding something close to joy in the wreckage.
With the arrival of their self-titled debut album, My New Band Believe’s Cameron Picton is taking an unconventional approach.
Amid a landscape built on aesthetics, Mae O'Neill is seeking depth outside of image and reckoning with exploitation, identity, and the long road to self-possession as maehem99.
Darlington-born Pollyfromthedirt is making skewed, clunky outsider pop driven by a deliberate step away from the industry and indie elitism.
Patchworking a found-sound fantasy world from her garden shed, Josephine Illingworth is a conduit for all that is wild and free.
The power of collaboration and necessity of shared human experience helped the California-born songwriter, producer and DJ Avalon Emerson find her next creative pivot.
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