The Bikini Kill reunion is over as the legendary band conclude London shows
12 June 2019, 08:30
Photography by
Chris Almeida
Fierce and vital as ever, Kathleen Hanna announced tonight’s Bikini Kill show at Brixton Academy as the end of the band’s reunion. Playing the second of two shows, this was the first time that band had appeared together in the UK in 23 years.
“I’m not a fucking cop”, Hanna quipped during the show, as the audience screamed “girls to the front!”. “I can’t tell from the stage who is a girl and who is not,” added Hanna. “If you’re at the back, then it’s up to you to make your space and go to the back…and if you’re a tall white man at the front and want to go to the back that would be very much appreciated!”
Fierce and vital as ever, Kathleen Hanna announced tonight’s Bikini Kill show at Brixton Academy as the end of the band’s reunion. Playing the second of two shows, this was the first time that band had appeared together in the UK in 23 years.
“I’m not a fucking cop”, Hanna quipped during the show, as the audience screamed “girls to the front!”. “I can’t tell from the stage who is a girl and who is not,” added Hanna. “If you’re at the back, then it’s up to you to make your space and go to the back…and if you’re a tall white man at the front and want to go to the back that would be very much appreciated!”
























Latest
- Night Moves announce first album in six years, Double Life
- Jenny Hval presents new single, "The artist is absent"
- Bobby Weir to play first London show in 22 years at Royal Albert Hall with Royal Philharmonic Concert Orchestra
- Ezra Collective announce Future Foundation initiative for young black women in music
- Gracie Abrams releases live performance of new song, "Death Wish"
- Jerskin Fendrix returns with new single, "Jerskin Fendrix Freestyle"
- Bright Eyes and Cursive unveil mash-up single, "Recluse I Don't Have To Love"
Get the Best Fit take on the week in music direct to your inbox every Friday
Read next
News
Listen
Flavours' "Ground Up" is an intoxicatingly groovy bouquet
Bedridden’s "Philadelphia Got Me Through" feels like stepping into a mosh pit of angry gymnasts
Burgeoning indie-pop group late night drive home explore the dangers of the internet in “terabyte”
Escapist alt-pop auteur Erin LeCount presents her latest labyrinthine track "Marble Arch"
Waiting for Smith's "I Like Life" is a sun-soaked gambol
Sink into a blistering shoegaze soundscape with green star’s latest track “four-o-five”