Rachael Dadd’s debut EP, Moth in the Motor, gets an official release this very day. It’s a beautiful slice of modern-tainted folk, the vocals and songs bring to mind early Unthanks in their simplistic delivery that hides deeper and darker stories behind the scenes.
After finishing up with the interview, feel free to download the track ‘Table’ here, to wet your appetite.
We caught up with the lady herself to find out a bit more about her…
For people out there that have never heard of you. Give us three reasons why they should…
I’m a real life girl
I play lots of instruments including the wooden frog
I’ve got bells on
Can you recall the moment when you first decided you wanted to become a musician?
I’ve played instruments since I was 4 or 5, starting in true English tradition on the recorder. I was particularly inspired by a recorder tune about a train. Maybe that was the moment I decided. Music and art were my favourite subjects through school
Where do your songs come from? What’s your inspiration?
I write mostly when I’m alone/lonely, but my songs are rarely actually about loneliness. They’re about a massive range of stuff. Whatever is getting to me at the time. I’m writing a song at the moment about a david attenborough film that I saw at a shit trance party. The elephants and monkeys swimming were extremely moving
Name your Top 5 records.
Noshintoh – Pah (Japanese New Wave band www.myspace.com/nohshintoh)
Rozi Plain – Inside Over Here
Diane Cluck – O Vanille
Roots of Rumba Rock
Joni Mitchell – Blue
What was the first gig you ever played and was it a success?
It was when I played my piano songs in the intevals at Alton College jazz band gigs. My A Level teacher was brilliant and was the first person that got me playing to audiences. I used to play electric piano and wear a headset microphone! I’ve learnt a lot since then. But it was a success in that I had to start somewhere and there it was.
What one piece of criticism has stuck in your mind and was it justified?
That my songs were like babies that you couldn’t put down! Meaning they were too long. I remeber being upset but at the time it was a very justified remark. Reflecting now I’m grateful to that person
What one thing has caused you to waste your free time in the past 6 months?
Checking e-mails too often when I should be outside getting fresh air and playing on the rope swing near my house – best rope swing I ever saw.
If you weren’t making music, what do you think you’d be doing?
Making more art and getting more exhibitions, and if not that then feeling pretty darn miserable I should imagine
What’s the worst job you’ve ever had?
Receptionist for an employment agency. I got addicted to Coca Cola because I was so bored. And i had to watch many hopeful and desperate souls filling out forms with no real hope of being given a job. It was really quite depressing.
We’d like you to make us a mix-tape. Pick five tracks with a theme of your choice.
The Theme: my Japanese discoveries
Popo – Blackbean – www.myspace.com/popokibito
Noshintoh – Jump – www.myspace.com/noshintoh
Aki Tsuyou – Track 1 from Hokane – www.myspace.com/akitsuyuko
Naoto Kawate – Song for Joe – www.myspace.com/komariirimame
Maher shalal Hash Baz – futility
- Night Moves announce first album in six years, Double Life
- Jenny Hval presents new single, "The artist is absent"
- Bobby Weir to play first London show in 22 years at Royal Albert Hall with Royal Philharmonic Concert Orchestra
- Ezra Collective announce Future Foundation initiative for young black women in music
- Gracie Abrams releases live performance of new song, "Death Wish"
- Jerskin Fendrix returns with new single, "Jerskin Fendrix Freestyle"
- Bright Eyes and Cursive unveil mash-up single, "Recluse I Don't Have To Love"
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