Los Angeles-via-Pinetop, Arizona songstress Zella Day honed her craft in her small desert town around the town’s lone coffeehouse, owned by her parents. Day injects her latest single, “Sweet Ophelia”, with a dusty breeziness in her vocals native to her origins atop a contemporary throbbing, synth-backed foundation.
If Nancy Sinatra’s boots were simply made for walking, Zella’s boots are made for stomping judging by the colossal drum machine beat that meets us at the outset and carries the meter throughout the tune. Day also endows the song with a vague but magnetic exoticism, reflective of herself, as is evident of her seductive cavorting in the accompanying video.
What sets Zella truly apart is the timbre of her voice, at once projecting an ethereal delicacy while also asserting a kind of sinewy might – enviable qualities possessed by none other than Stevie Nicks, no doubt one of Zella’s influences. It’s hard not to get swept up into her windstorm when she croons, “up, up away”, as the chorus seeps away.
“Sweet Ophelia” (with b-side, “1965″) is out today, 7 April, via B3SCI Records.
Stream the track below:
- Rahim Redcar covers SOPHIE's "It's OK To Cry"
- Banks announces her fifth studio album, Off With Her Head
- SPRINTS, Fat Dog, The Horrors and more join Dot To Dot's 20th anniversary celebrations
- Tyla, Doechii and JADE to join RAYE at All Points East 2025
- SXSW London offer 500+ passes to local charities and community groups in East London
- Oklou announces forthcoming debut album, choke enough
- Nala Sinephro, Arooj Aftab, Anna von Hausswolff are among the first artists for Rewire 2025
Get the Best Fit take on the week in music direct to your inbox every Friday