Chris Todd
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New York artist Curses turns up the dark on impressive debut
08.11.2018 / 14:34
Go March take post-rock down to the disco with dazzling results
03.10.2018 / 10:02
Go March take post-rock down to the disco with dazzling results
03.10.2018 / 10:02
We should embrace the difficulty of Felt
29.09.2018 / 10:44
Hunter is Anna Calvi's most complex, defiant work yet
29.08.2018 / 09:05
Stella Sommer's 13 Kinds of Happiness is a masterclass in gothic precision
08.08.2018 / 13:01
It's time to fall back in love with Teenage Fanclub
06.08.2018 / 13:07
Nine Inch Nails' Bad Witch is their finest work in over a decade
24.06.2018 / 23:08
Girls Names make heavy work of album four, Stains on Silence
17.06.2018 / 21:53
The The, Live in London
11.06.2018 / 16:58
The The, Live in London
11.06.2018 / 16:58
Five of Lawrence of Belgravia's finest moments
10.03.2018 / 09:30
Portuguese duo Sunflowers conjure up a glorious racket on album two
18.02.2018 / 09:30
Hookworms hit that sweet spot on album three
29.01.2018 / 11:37
This anthology shows Simian Mobile Disco were no temporary pleasure
14.11.2017 / 09:30
A Welcome Return: Ride, Live in London
09.11.2017 / 12:26
Baron of techno Dave Clarke's first album in 14 years is worth the wait
25.10.2017 / 09:30
The Horrors focus on synth and groove for album five
03.10.2017 / 17:47
Keep Shelly in Athens make easy work of album number three
27.09.2017 / 17:30
Chinese trio Re-TROS confound with a brilliantly varied album
15.09.2017 / 09:30
