Kim Deal reflects on mortality and legacy in fine style on Nobody Loves You More

Solo is a crucial word here as Deal always seems to function best in collaboration with others. Nobody Loves You More has been incubating across different studios since 2011 with several old friends including Slint’s Brit Walford, Ray McGinley from Teenage Fanclub, Jack Lawrence, Josh Klinghoffer, and many more. Some material has been siphoned off here and there for other projects, including the welcome return of The Breeders for All Nerve in 2018, featuring the band's ‘classic lineup’ of Deal’s twin sister Kelley, Josephine Wiggs and Jim Macpherson.

These friendships and reconnections play a huge part in Deal excavating all the biographical details that go into her new album. Much like the new Cure album sees Robert Smith poking at his mortality and looking back on life, love, and loss Deal is doing the same thing and has also witnessed the close personal loss of her parents and many friends in that period, including the shock of losing legendary engineer Steve Albini who died suddenly following these album sessions.

Albini of course recorded iconic early sessions for Pixies, Deal’s perhaps more illustrious band, as well as The Breeders over the years. The extended and varied production process infuses the record with an organic, lived-in feel, fitting for an album deeply rooted in personal and familial experiences​ and Deal’s signature approach blends gritty minimalism with an emotional honesty that’s unmistakable. She harnesses all of these elements to craft a highly personal journey through themes of isolation, nostalgia, and resilience.

Musically, Deal retains the stripped-back instrumentation and slightly off-kilter guitar textures that fans know well. The single "Crystal Breath" showcases her love for distortion and heavy riffs, wrapped in her own evocative and occasionally surreal lyricism. Other tracks like "Are You Mine?" and "Wish I Was" go back to early 2011 sessions and carry an intimate, lo-fi charm. Themes across the album swing between the harsh reality of aging – touching on her mother’s struggle with dementia - and Deal's own reflections on memory and connection, making this record feel less like a solo debut and more like a memoir set to music​

For fans familiar with Deal’s rough-edged aesthetic, Nobody Loves You More offers plenty to admire. The opening track, from which the album takes its name, blends her voice’s distinctive, almost whispery rawness with gritty guitars. Lyrically, Deal mixes nostalgia with a blunt realism about life’s disappointments. Songs like "A Good Time Pushed" give voice to a deep-seated emotional tug, anchored by Albini's robust, direct recording style that emphasizes Deal’s unembellished vocal delivery. “Coast” on the other hand weaves in sunny echoes of Blondie’s “Sunday Girl” into its upbeat vocal melody despite the lyrics biting hard “Abandon plans for the good times / Where forgotten roads take lost lives / To beautiful kids on the coast“.

Another welcome shift in tone comes with “Summerland” sharing winter vacations spent at her parents in the Florida Keys as Deal sings, “I'm not even tired, this world's for me / I waited all day it was thrillin' / I watched the sun drop in the sea / It's dazzling,” accompanied by shuffling drums and lush orchestration.

Deal’s return to a solo endeavor speaks to a new chapter for an artist who has always embraced evolution over easy success. Reflecting in recent interviews, she has described her solo process as liberating – an opportunity to explore her inner world without the pressure of band dynamics. In Nobody Loves You More, Kim Deal delivers an album that stands both as a tribute to her past and a reassertion of her relevance, it’s an emotional and moving experience. Her cultural influence remains undeniable, echoing through the works of artists she has inspired, from Kurt Cobain to younger voices like recent tour companion Olivia Rodrigo, who carry forward her legacy of raw, fearless rock​.